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Raw Deal

Raw Deal

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Raw Deal

“The system gave him a Raw Deal”
—Front Cover of Case

Arnold Schwarzenegger is Mark Kaminsky, a man who's gotten a RAW DEAL in life until he's given a second chance . . . in hell.

Kaminsky had been a top honcho for the FBI before his unconventional methods of investigation got him thrown off the team. He's now stuck as a sheriff in a small North Carolina town, a shadow of his former self.

Enter FBI Chief Harry Shannon (Darren McGavin) with a special mission for the down-and-out Kaminsky. Help him get Patrovita, the powerful and ruthless head of organized crime in Chicago—and Kaminsky, a hero, is back at the FBI. There's only one hitch: Kaminsky must infiltrate and tear apart the Patrovita machine without the consent, the knowledge, or the protection of any law enforcement agency.

“Nobody gives him a Raw Deal.”
—Front Cover of Case

Kaminsky accepts the challenge—and begins an action-packed journey into the murderous world of the mob, where men have their own brand of justice and betrayal is always punishable by death . . .

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 Rhetorical Ambiguities & Vicissitudes:

“To me belongeth vengeance and recompence; their foot shall slide in due time: for the day of their calamity is at hand, and the things that shall come upon them make haste. ”
       —Deu 32:35

There are multitudes who regard earthly justice as an idealized phantom who is oft sought and much discussed, but seldom seen. Regardless of the political and bureaucratic rhetoric to the contrary, murderers, rapists, and pedophiles brazenly prowl among us. Criminal statistics, tainted by the inbred putrescence of an adversarial legal system born of questionable efficacy and inequitable compromise, pitch to and fro on the crosscurrents of ineptitude, bias, inconsistency, desensitizing media coverage, ephemeral political correctness, rampant corruption, and the rapidly growing tolerance delivered of hopelessness and apathy. Yet, in the minds and hearts of these selfsame multitudes there exists a fantastical terrestrial realm where justice, fairness, goodness, and integrity rest in the hands of an incorruptible action hero—a modern day knight-errant who seeks no more than to repair that which has long been broken, and for whom the term plea bargain holds no meaning.

“Revenge is an act of passion; vengeance of justice. Injuries are revenged; crimes are avenged.”
       —Joseph Joubert

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 Observations & Revelations:

In truth, I am able to make no verifiable representations where this item is concerned. While I can most certainly ascertain the exterior condition of the tape itself and the protective plastic case in which it is housed, I do not, regrettably, possess the equipment (Betamax VCR) requisite to viewing the tape. I am, however, assured by the 83 year old gentleman who kindly donated this title, and who purchased it new at the seemingly outrageous price of $79.95, that the condition, when last viewed, was Excellent. He further informed me that, owing to deteriorating eyesight, the tape was viewed on not more than three occasions.

Although he derived great enjoyment from the various Action films in his library, I must confess that I have never seen this movie and am, therefore, unable to provide a personal critique, either pro or con. There exist, however, a remarkable number of online reviews by means of which one may glean a plethora of conflicting opinions and viewpoints, and become inculcated with the true meaning of subjectivity.

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 A Bit About Beta:

With an estimated 18 million Betamax VCRs sold during its 27 year production run (1975-2002) and a not insignificant company of die-hard betaphiles who vehemently proclaim the technical superiority of Sony's Betamax design, there, nevertheless, exists a substantial dearth of Beta prerecorded and blank videocassettes.

Why then, with so many devotees, was a purportedly technologically superior and innovative product rendered virtually extinct? The reasons cited are many and varied, and include such suppositions as follow:

  • Although, as a result of technological excellence, Sony was the firmly entrenched leader in the professional market (and so remain), they, ostensibly, completely misjudged that singular feature of greatest import to the mass market consumer. It became quite obvious, almost immediately following the release of the JVC VHS format, that the average consumer was influenced far more by the length of recording time than by video and audio quality. The early Sony Betamax offered a 60 minute record capacity, while the JVC VHS entry was double that amount.
  • When Universal Studios and Disney filed suit alleging that VCRs, by enabling individuals to record movies and television programs, were infringing on the copyrights of movie and television producers and named Sony as the sole defendant, JVC and its growing alliance were permitted to proceed unimpeded while Sony was forced to divide its attention in order to address the legal proceedings. By the time that the case was resolved in Sony's favor, the Betamax market share had fallen to approximately 19%. The losers of the legal action, of course, promptly determined that they could, indeed, profit, nay prosper, by making available their products (a vast movie collection) on videocassette. Quite naturally their efforts were focused on that format which controlled the largest market share—VHS. The insatiable appetite of the consumer led to record sales of prerecorded tapes—VHS tapes. Those wishing to create a prerecorded videocassette library found that they had little choice but to purchase a VHS VCR. The battleship Betamax was listing heavily to starboard and would soon be relegated to the tranquil Sea of Nostalgia.
  • To add insult to injury, the predominant VHS alliance began slashing the prices of its machines. (Increased sales lead to increased volumes lead to economies of production, etc.) At one point, an RCA VHS VCR could be purchased for $300 less than a Sony Betamax. As the price war raged, the meager Sony contingent lost more and more market share until by 1989 only 1% of the consumer-oriented VCRs being purchased were Betamax. In 2002, Captain and crew abandoned ship as Sony announced that production of the mass market Betamax had ceased.

Although production of the Betamax format ceased in 2002, there remains a steadfast and hearty band of ardent betaphiles who, with an indescribable zeal, painstakingly prowl rummage, yard, and garage sales, haunt the aisles of flea markets, and scrupulously search the Internet for that which is nearing extinction—the elusive Beta.

For you, the unwavering Betaphile, or you, the insatiable trivia buff, there currently exist sundry worthwhile online repositories of Betamax history, mythology, and lore. I include links to a few of the more noteworthy web sites for your perusal, edification, and, perchance, assistance.

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 Raw Deal Betamax Video Tape Information:

  • Title: Raw Deal
  • Actor/Actress: Arnold Schwarzenegger, Darren McGavin, Sam Wanamaker
  • Executive Producer: De Laurentis Entertainment Group, Inc.
  • Produced by: Martha Schumacher
  • Directed by: John Irvin
  • Story by: Luciano Vincenzoni and Sergio Donati
  • Sreenwriters: Gary M. DeVore and Norman Wexler
  • Original Music by: Chris Boardman, Tom Bahler, Jerry Hey and Randy Kerber
  • Cinematography by: Alex Thomson
  • Film Editing by: Anne V. Coates
  • Casting by: Mary Colquhoun
  • Production Design by: Giorgio Postiglione
  • Art Direction by: Maher Ahmad
  • Video Released by: HBO Cannon Video
  • Video Release Date: 1986
  • Runtime: Approximately 97M
  • Rating: R
  • Language: English
  • Color: Technicolor
  • Sound Mix: Dolby
  • Closed Captioned: No

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 Starring:

  • Arnold Schwarzenegger as Mark Kaminsky
  • Darren McGavin as Chief Harry Shannon
  • Kathryn Harrold as Monique
  • Sam Wanamaker as Luigi Patrovita
  • Paul Shenar as Paulo Rocca
  • Steven Hill as Martin Lamanski
  • Joe Regalbuto as Marvin Baxter
  • Robert Davi as Max Keller
  • Ed Lauter as Baker
  • Mordecai Lawner as Marcellino
  • Blanche Baker as Amy Kaminsky

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 Special Features:

  • Betamax Video Tape
  • NTSC
  • Protective Hard Plastic Case
  • Betamax Hi-Fi
  • Color
Condition: Excellent Retail Price: $79.95 USD Our Price: $7.50 USD

Specifications: 1

Quantity Available:
  • One
Genre:
  • Action
Date of Release:
  • 1986
Studio:
  • De Laurentis Entertainment Group, Inc.
Protective Case Height:
  • 6 3/4 inches
Protective Case Width:
  • 4 7/16 inches
Protective Case Depth:
  • 1 3/16 inch
Format:
  • NTSC Color
Media Type:
  • Betamax Video Tape
Weight:
  • 10.1 ozs.
Shipping:
  • $2.75 when shipped to a destination within the USA
Notes:
  • The photographic representations of "Raw Deal," which are displayed in various locations throughout this site, are stock photographs provided either by the studio that produced the film, the distributor that disseminated the film, the video company that released the videocassette, or the advertising agency that promoted the film.
Footnotes:
  • 1We have, to the utmost of our abilities, endeavored to ensure that all descriptions, depictions, representations, and measurements are honest, accurate, and unabridged. Utilizing fully the resources and equipment available to us, extensive and exhaustive research has been conducted on each object listed. While we cannot guarantee that absolute precision has been attained, we certify, with neither hesitation nor reservation, that our very best efforts have been expended in an attempt to realize this paradigm.

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