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Audiophile Reviews:“. . . unparalleled sonic performance” “. . . room-shaking, pristine sound” “. . . better than most speakers sold today for thousands more” “. . . highs are crystal & deep bass will punch out walls” “. . . every kind of music sounds just the way music should—true and honest” “. . . superlative, transparent sound quality” “. . . represent what music should sound like and they are wall shakers” “. . . will hang with speakers costing $4,000 or more” “. . . timeless quality, intense depth, pound a nail through a 2x4" with ease, subtle low volume presence, $ for $ ratio untouchable” “. . . extremely solid design . . . built to last” “. . . Everything in them is thick, heavy, solid, and big . . . built to last” “. . . uncompromising sound quality” “. . . very crisp highs, thumping lows, and everything in-between” “. . . a very warm sound” “. . . best sounding speakers I've ever owned . . . blow away speakers costing far, far more” “. . . top quality audio performance with leading edge design” “. . . beautiful, balanced sound; rich bass that perfectly blends with lush midrange and highs” “. . . best bass, midrange, and most extraordinary tweeter I have ever heard” “. . . Super 3D sound stage, uncompromisingly accurate, transparent, and natural.” “. . . have withstood the test of time and set the standard of comparison for other speakers.” “. . . short of amazing. I have never heard anything like these . . .” “. . . love good, clean power. It always amazes me when I turn up the volume and the sound gets so loud that it hurts, but the sound is perfectly crisp and clear.” “. . . outperforms many domestic and European designer systems that cost several thousand dollars or more.” “. . . I've listened to many high-end Polk and Infinity, plus a few others. They don't do it.” “. . . unsurpassed, full, rich sound” “. . . excellent tweeter response—flat and extended” “. . . rivals anything on the market today.” “. . . power handling capacity is amazing . . . easily endures over the new equipment you see today” “. . . the jet engines of its class” “. . . oiled walnut looks 100 times better than plastic covered particle board” “. . . even better bass than today's subwoofers; better highs and mids than speakers costing the price of a good used car.” “. . . the quality of these speakers is unsurpassed. The reason they hold up so well is the utilization of rubberized cloth surrounds on all of the drivers. . . . no foam surrounds to rot. . . . the bass reflex design of the cabinet is superb.” “. . . have compared with Infinity SM62, SM112, SM150, AR Edge, Advent, and Polk. The Pioneer HPM-100 is the BEST.” “. . . I've driven the high-end brands (Paradigm, Wilson Audio, Thiel, & Bose), but nothing compares to the HPM-100.” “. . . the carbon-fiber woofer and doped, pleated surrounds take care of the bass so well, you won't even need a subwoofer.” “. . . want to shatter crystal? The High Polymer Supertweeter is unbelievable. Airy, ethereal highs top anything I've ever heard.” “. . . the woofer to midrange blend is as smooth as silk.” “. . . very conservative power rating. . . . have pushed them far beyond their rated power (clean, no clipping) and they hang right in there.” “. . . Why can't they make quality, long-lasting speakers like this today?” “. . . purchased a set from my brother for $700.00. Took them home, hooked them up, cranked up the SX-1250 and cried like a baby. The sweetest sound I'd ever heard.” “. . . seemingly ageless, the HPM-100 blows the new 5.1 assemblies out of the pond.” “. . . a friend tried to talk me into swapping my HPM-100s for his JBL Century L100s. Not a friend anymore. HPMs are superior in every way. Much smoother, balanced sound.” “. . . can not only hear the smallest detail in the music, but can make the ground tremble.” “. . . these speakers have been pushed many times in the last 24 years and I have never had one problem from them; the sound is just incredible.” “. . . You simply are going to be EXTREMELY hard pressed to find a speaker this good.” |
To the smallest detail, Bart Locanthi and his engineering staff designed a speaker system that would optimize sonic performance and acoustic accuracy, while the Pioneer Electronic Corporation ensured that it would be constructed in such a manner as to maximize endurance, reliability, and longevity. Of philosophies and commitments such as these, classics are formed and legends are born. “Rich Concert Realism from 100-watt 4-way, 4-speaker Bass Reflex System with Carbon Fiber Blended Woofer & High Polymer Supertweeter” Sheltered within the luxuriant, furniture-grade, genuine walnut veneered cabinet beats a heart and resides a soul which, when stirred to action, yield among the purest, the truest, the cleanest audio to which ever ear shall be blessed to attend. Regardless of the melodic genre to which one's individual predilections or tempers may tend, the Pioneer HPM-100 Bass Reflex Speaker System will, with an effect nearing perfection, render rapt, nay, spellbound the listener.
Pioneer HPM-100 Operating Guide
Connecting Speakers to AmplifierConnect RED (+) terminal of the HPM-100 to the (+) output of the amplifier, and the BLACK (—) terminal to the (—) output terminal of the amplifier. To connect each lead wire, strip 3/4" (20mm) of insulation from the end, press the appropriate terminal button and insert the wire. Level ControlsIndividual controls are provided for the MID and HIGH frequency ranges, and when set at "0" a suggested output characteristic is obtained. Turning either control clockwise increases the output from that speaker, while turning fully counterclockwise reduces the output signal to zero. General Precautions
Was It Merlin or Bart Locanthi?“Music has charms to soothe a savage breast, “It was, indeed, the pre-dawn of a new and illustrious Golden Age of Music, yet a great darkness of thin, tinny highs; muddy, shallow basses; malformed, misrepresented mid-ranges; and craggy, craterous crossovers lay upon the ears of the increasingly frustrated, discontented, and disenfranchised audiophiles who sought the one, the true grail of speaker systems. Whilst there existed many pretenders to the throne, there could be but one rightful King; one who could, with absolute fidelity, draw forth from the Cone of Distortion the resplendent Acoustics of Accuracy. Raged within the consecrated palisades of the Castle of Capitalism a contentious conflict between the Knights of Management, the Knights of Marketing, and the Knights of Engineering. These hallowed halls of commerce bore witness to many such battles, for atop their ivory towers and crystalline ramparts fluttered disdainfully the banners of Net Profit Margins, Sales Numbers, Stock Valuation, and Price versus Performance— while somewhere, unseen and unadorned, deep within the castle's darkest recesses, hung limp the tattered streamers of State-of-the-Art Technology and Design. Such were the sacred rites and rituals. Such were the archetypal inevitabilities when such campaigns were pressed. Though highly revered and venerated as "Purists of the Realm," the Knights of Engineering were possessed of neither power nor influence. Seekers of truth, excellence, accuracy, and honesty, they were men of high ideals who, above all things, loathed bad science and compromise. While stooped and faded from the inescapable concessions to and dictates from those who dwelt within the rarefied environs of the ivy veiled walls and who donned the regalia of the MBA, they vowed that this time they would stand fast—this time they would, if but this once, achieve victory. For, you see, a sage of great renown had joined their ranks; no mere knight this one, but a Prince both wise and highly decorated; a battle-scarred champion in whose veins coursed the blood of audio royalty and aside whom they would wage this final crusade. Taking up the gauntlet of the audiophiles and drawing forth the Acoustics of Accuracy, Sir Bart Locanthi courageously strode forth into the midst of that cacophony of impostors whose maze of mediocrity had long prevailed. Alas, we may know little of the struggle which ensued, for whilst history tantalizes us with mere morsels, we crave the full feast. This much, however, we may know and long remember: Sir Bart emerged victorious that day, and thus was rightly crowned the true King—the Pioneer HPM-100.” In ConclusionAvailable from 1977 through 1979 and developed under the auspices of preeminent audio engineer, Bart Locanthi (AES Fellow, Gold [1996] & Silver [1990] Medal Award winner, and former President of the Audio Engineering Society [1986-1987]), the HPM-100 was presumed to be Pioneer's response to the wildly popular JBL L100 Century (also developed under Bart Locanthi who held the position of Corporate Vice President of Engineering for JBL from 1960-1970). ShippingAs a result of the Pioneer HPM-100 Speaker System's weight, construction, and vulnerability to damage if mishandled, we greatly prefer that the purchaser personally transport these units to their final destination. We are, of course, cognizant of the fact that this may not prove practical, or even possible, for those of you who reside a considerable distance from our location. Therefore, we are—with apprehension and trepidation—willing to have the speakers professionally packed, insured, and shipped at the purchaser's expense. Only the actual costs involved, as verified by the packaging agent's receipt, will be assessed to the buyer. ConditionPurchased new in 1977 by a budding audiophile who was just crossing the threshold of his professional career, this Pioneer HPM-100 Speaker System has spent all but approximately three months of its twenty-nine year existence in storage (environmentally-controlled). I am apprised by the former (original) owner, who purchased both the Pioneer SX-1250 Receiver and the Pioneer HPM-100 Speaker System and from whom we acquired this most singular treasure, that he selected a vocation that entailed nearly constant travel and frequent relocation. Consequently, all but the bare essentials of his possessions were consigned to a storage facility where they remained until his recent retirement to a condominium in the Sunshine State. While a comfortable domicile, a condominium, regardless of its location, is not the ideal environment for an audiophile in that those occupying adjoining habitations rarely appreciate the musical proclivities, the volume setting, or the wall-rattling bass that may constitute Nirvana for another. Hence, as unimaginable as it may seem, the current availability of a pristine pair of the legendary Pioneer HPM-100 Bass Reflex Speaker Systems. Upon the conclusion of a comprehensive inspection of both the exterior wood surfaces, the grills, and the interior components by an accomplished, local audio equipment authority, I am able to attest that, whilst extraordinarily unusual and quite uncommon, this particular Pioneer HPM-100 Speaker System is in "Like New" condition. Aside from a minute depression in the walnut cabinet top of one unit (there exists no indication that this tiny indentation is anything other than a naturally occurring anomaly in the grain of the wood), these units appear to be flawless. The drivers, cones, dust caps, and grills are impeccable. The walnut cabinets possess a depth, a mellow richness, and a gentle warmth that must be personally contemplated and experienced in order to be fully appreciated. I invite you to examine the photographs contained within these pages, and, upon so doing, I doubt not that you will concur with my assessment of these magnificent and exceedingly rare Pioneer HPM-100s.
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Copyright © 1993-2007 White Buck Publishing
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